StoryRights.org |
Story Rights
Story Rights
Hang on to the copyright to your original works of authorship 
STORY RIGHTS TOPIC LIST
Story Rights

JOHN LONGENECKER
On occasion I am invited to a film class and
I'll talk with folks about what I know about Story Rights

To sum it all up:

1. Learn about U.S. Copyright Law - see: Copyright.gov |
- register your works for Copyright at the U.S. Copyright Office
- learn about an original work of authorship • a derivative work • a joint work
- copyright owner • claimant • author

2. Learn about the Writers Guild Basic Agreement | WGA | MBA to 2007 | MBA to 2010 soon!
- definitions: professional writer • literary material • signatory company
- a co-writing team • story • original treatment • screenplay
- Story by credit • separation of rights • Screenplay by • Written by (story & screenplay)


Stroy Rights
U.S. Copyright Law

An Original Work of Authorship • Registration of a basic claim in an original work of authorship:
Forms TX, SE, PA, VA (including Short Forms), and Form SR
July 1, 2007 Registration: paper $45 • online $35

Sole Author • Joint Author • Copyright Claimant • a "Work made for hire"

Literary works: may be published or unpublished and include non-dramatic textual works
-- Form TX • STORY • TREATMENT • BOOK Performing Art

Works: Generally, dramatic works such as plays, screenplays, and radio or television scripts are works intended to be performed. Dramatic works usually
include spoken text, plot, and directions for action.
-- Form PA • STORY • TREATMENT • SCREENPLAY

The owner of copyright has the exclusive right to do and to authorize others to do the following:
-- To reproduce the work in copies or phonorecords;
-- To prepare derivative works based upon the work;
-- To distribute copies or phonorecords of the work to the public by sale or other transfer of
ownership, or by rental, lease, or lending;
-- To perform the work publicly, in the case of literary, musical, dramatic, and choreographic works,
pantomimes, and motion pictures and other audiovisual works;
-- To display the work publicly, in the case of literary, musical, dramatic, and choreographic
works, pantomimes, and pictorial, graphic, or sculptural works, including the individual images of a motion picture or other audiovisual work; and
-- In the case of sound recordings, to perform the work publicly by means of a digital audio transmission.


Story Rights
WGA Definitions

A Professional Writer • Literary Material
• A Signatory Company Literary Purchase Agreement - to sell or license the rights to Literary

Material Writer Employment Agreement
- first employed writer Story By • Separation of Rights • Written by • Screenplay by A co-writing team - each
treated at the highest level of the team A non-professional writer - typical on-screen credit: "based on a story by"

"Chain of Title"
• In the motion picture industry, the chain of title involves the series of documentation which establishes proprietary rights in a film. Thus, U.S. Copyright Registration.

A Literary Purchase Agreement
For all purposes the Author shall be deemed to be and shall be treated as a “Professional Writer” and the Work shall
be deemed to be “Literary Material” as those terms are defined in the WGA MBA.

A Writer Employment Agreement
Also: producer employment agreement - director deal memo

An original work registered for Copyright (the "Work")

Written Agreements - create a thorough paper trail Collaboration Agreements
- get it in writing • Co-Writer • Producer • Director • Actors

The "Author" may invite another person to collaborate in the further development of a motion picture Project

Your Own Projects • Written Agreements / Crew • Production Stills • Key Art Poster • Audio & Video Recordings • Promote Your Work • your own Internet site • press releases • news reports • screenings • DVD copies

WGA Registration
• not a substitute for U. S. Copyright Registration


Story Rights
Collaboration Agreements

If you wrote an original work of authorship / a "Work" - a story - an original treatment - a first draft script
and then sent it off to the U.S. Copyright Office for Copyright registration - and then you seek to invite a co-writer - a producer - a director - an actor / talent to collaborate with you on the further development of the project based on your original work...

Then draft a Collaboration Agreement
that sets out what you are seeking and
what the person you invited to collaborate with you is seeking.

Transfer Of Rights
A Company will seek to get you to transfer rights in and to your Work to them: Rights Granted.
If your Collaboration Agreement spells out what you are seeking, and says no rights shall be granted unless you agree to the terms and conditions of what the Company offers you, then you have a good chance of getting what you are seeking.

A Company may not abide by what you seek,
but it is unlawful to interfere with contractual relations - as expressed in your Collaboration Agreement.


Movie project agreements text: http://perfectlylegalforms.com/ | links |
Story Rights
Stroy Rights
U.S. Copyright Registration

Do not tell your idea to others - record it on audio - write it down - in a fixed and tangible form
At that moment your idea becomes an copyrightable original work of authorship.
Next step: Send in a copy of your "work" to the U.S. Copyright office for Copyright Registration
Then you can show your work to others in written form: a written Story - Treatment - Screenplay
U.S. Copyright Office: Copyright.gov |

Copyright USC
Home Page | Directory | Topics | Your Comments |
U.S. Copyright Office: Copyright.gov | WGA | WGA | MBA to 2007 |
JOHN LONGENECKER |

Story Rights
800 470-4602
site: StoryRights.org |
email: JL.Company@mac.com |
Broncho Billy: BronchoBilly.comPictureAmerica.org | JLPhotosUSA.com | ListenUSA.com